The University of Delaware Library

Special Collections Department


Richard Hoffman
Neil Simon
Collection

1955 - 1993

Manuscript Collection Number: 485
Accessioned: Gift of Richard Hoffman and purchase, December 2002 - January 2003
Extent: 3 linear ft.
Content: Playscripts, film scripts, correspondence, posters, flyers, periodicals, theater programs, and photographs
Access: The collection is open for research.
Processed: February 2004 by Gerald Cloud

for reference assistance email Special Collections
or contact:

Special Collections, University of Delaware Library
Newark, Delaware 19717-5267
(302) 831-2229


Table of Contents


Biographical Note

Richard Hoffman

Richard Hoffman, the Brooklyn-based theater collector and bookdealer, built the Neil Simon Collection over a period of many years. Hoffman has said that he entered the United States Army in the 1950s as an actor and left as a writer. His military experience led to an assignment to create a television program titled "Your Army in View," which consisted of interviews and live drama. After his discharge from the service in 1955, Hoffman taught in the drama department of The City University of New York. During this period he was awarded a Eugene O'Neill fellowship for playwriting. He also seriously began to collect rare books and first editions of contemporary American dramatists, notably the playwrights Eugene O'Neill, Arthur Miller, and Neil Simon. Richard Hoffman's interest in collecting first editions led to his career as an antiquarian bookdealer.

Neil Simon

The American playwright Neil Simon was born July 4, 1927, in the Bronx, New York. Simon began his career co-writingcomedy sketches for radio with his brother Danny Simon in the 1940s. During the 1950s the pair wrote for television personalities such as Sid Caesar, Phil Silvers, and Jackie Gleason, occasionally working with writers Mel Brooks and Woody Allen. The brothers also co-wrote the early Broadway success Come Blow Your Horn (1959). Since that time Simon has gone on to become one of the most popular American writers of stage comedies. Among his most successful comedies are Barefoot in the Park (1963), The Odd Couple (1965), Plaza Suite (1968), The Prisoner of Second Avenue (1971), and The Sunshine Boys (1972). Simon is praised by critics as a formidably funny playwright, but his autobiographical trilogy, Brighton Beach Memoirs (1982), Biloxi Blues (1984), and Broadway Bound (1986), earned him respect as a serious dramatist. When Simon's play Laughter on the 23rd Floor (1993) showed a net loss after a nine-month run on Broadway, Simon moved his next play,London Suite (1995), Off-Broadway.

Simon has also written film adaptations for several of his plays, such as Barefoot in the Park (1967), The Odd Couple (1968), and The Sunshine Boys (1975)--as well as several successful original screenplays, including Murder by Death (1976), The Goodbye Girl (1977), and The Cheap Detective(1978).

Simon has received numerous awards and honors during his career, including Emmy awards for Sid Caesar's Your Show of Shows, 1957, and The Phil Silvers Show, 1959; and Antoinette Perry awards (the "Tony") for The Odd Couple (best playwright, 1965), for Biloxi Blues (best drama, 1985), and for Lost in Yonkers (best play, 1991). Simon received a special Tony Award for overall contributions to the theater in 1975; and Academy of Motion Picture Arts and Sciences Award (Oscar) nominations for The Odd Couple (1968) and California Suite (1978). The Sunshine Boys (1975) and The Goodbye Girl (1977) received Oscar nominations as well as nominations for Golden Globe awards. Simon was honored with the New York Drama Critics Circle Award in 1983 for Brighton Beach Memoirs and with a Pulitzer Prize for Drama in 1991, for Lost in Yonkers.

Source:

Contemporary Authors Online, Gale, 2004. Reproduced in Biography Resource Center. Farmington Hills, Mich.: The Gale Group. 2004.


Scope and Content Note

The Richard Hoffman Neil Simon Collection spans the dates 1955 - 1993 and comprises three linear feet of playscripts, film scripts, correspondence, posters, flyers, periodicals, theater programs, and photographs related to the American playwright Neil Simon. Assembled by the writer and Brooklyn-based bookdealer Richard Hoffman, the collection also includes Simon's published plays, which are cataloged individually and housed with printed collections in the Special Collections Department at the University of Delaware Library. The archival collection includes playscripts and film scripts representing most of the work that Simon produced, as well as some film scripts that were never published. The collection includes ephemeral material such as souvenir programs and playbills, and autographed photographs of Neil Simon and his wife, the actress Marsha Mason.

The majority of the materials in the collection are found in Series I. Dramatic Works, which is organized alphabetically according to title of Simon's plays and screenplays. Most of the series comprises playscripts and screenplays, including some of Simon's best known work, such as Barefoot in the Park (1963), The Odd Couple (1965), Plaza Suite (1968), The Prisoner of Second Avenue (three copies, including a film script, 1971), The Sunshine Boys (two copies, 1972), the autobiographical Brighton Beach Memoirs (1982) and Broadway Bound (1986), and the Pulitzer Prize-winning Lost in Yonkers (three copies, 1991).

Additionally, there are scripts associated with cast and crew members via correspondence, including Dick Latessa for The Curse of Kulyenchikov, Richard Bright for Brighton Beach Memoirs, and set and costume designer Santo Loquasto for Lost in Yonkers. Also included are three scripts and a film script for Chapter Two, including a script bearing the alternate title George Feiffer, Meet Annie Malone. Also present is a first draft of a film script for an apparently unmade project, Mr. Bad News.

In addition to the scripts the series also includes posters, programs, and other materials related to Simon's plays and the films produced from his screenplays.


Series II. Ephemera includes signed photographs of Neil Simon and Marsha Mason.



Related Collections:

Mss 485 Richard Hoffman Arthur Miller Collection


Series List


Contents List

Box -- Folder -- Contents


		  I. Dramatic Works
          
          Barefoot in the Park, 1964 – 1985
1    F1   Barefoot in the Park, a New Comedy by Neil Simon,
          New York: Studio Duplicating Service Play (1964),playscript
          Typescript copy heavily annotated with dialogue changes
          and stage directions, bound in green wrappers, dated
          “June 15, 1964.”
          
     F2   The Dramatists Guild Quarterly, New York: The
          Dramatists Guild, Winter 1985
          “Landmark Symposium: Barefoot in the Park” with
          Terrence McNally, Elizabeth Ashley, Mildred Natwick,
          Mike Nichols; and conversation with Neil Simon.
          
     F3   Pressbook, 1967
          Promotional material for the Paramount Pictures film
          starring Robert Redford and Jane Fonda.  Removed to
          Oversized.
          
     F4   Promotional film poster, 1967
          Paramount Films, featuring Jane Fonda & Robert Redford
          Removed to Oversized mapcase.
          
          
          Brighton Beach Memoirs, 1985
     F5   Brighton Beach Memoirs, Fourth Draft Screenplay by Neil
          Simon, Universal City: Universal City Studios, 1985
          Typescript copy in yellow Universal City Studios paper
          covers, dated “July 29, 1985.”  Includes ALS to cast
          member Richard Bright from production staff member
          Jennifer Wyckoff Shore, “8/13/85.”
          
     F6   Poster, [1984]
          Alvin Theatre, New York City, featuring Matthew
          Broderick
          Removed to Oversized
          
          
          Broadway Bound, 1987
     F7   Broadway Bound, New York: Studio Duplicating Service,
          1987
          Typescript copy bound in brown wrappers, dated “Acting
          Edition, January, 1987.”
          
          
          California Suite, [1976]
     F8   California Suite, a New Comedy by Neil Simon, New York:
          Studio Duplicating Service, [1976], playscript
          Typescript copy bound in orange wrappers.
          International Authors Society, Albert DaSilva, New York
          City.
          
          Catch a Star, 1955
     F9   The Playbill for the Plymouth Theatre, New York, 1955
          Simon’s first Broadway effort; a musical revue with
          several sketches by Simon and his brother Danny.
          
          Chapter Two, 1977 – 1979
          (see also F22 George Feiffer, Meet Annie Malone)
     F10  Chapter Two, a New Comedy by Neil Simon, New York:
          Studio Duplicating Service, 1977, playscript
          Typescript copy bound in green wrappers, dated “FIRST
          DRAFT, February 1977.”
          
     F11  Chapter Two, a New Comedy by Neil Simon, New York:
          Studio Duplicating Service, 1977, playscript
          Typescript copy bound in gray wrappers, dated “FINAL
          DRAFT, FEBRUARY 1978.”  Emanuel Azenberg, New York
          City.
          
     F12  Film script, unbound typescript with typed corrections,
          inserted revisions, and printer’s notes, dated “THIRD
          DRAFT, April, 1979.”
          
     F13  Souvenir Program, New York: Johnray Publishing Company, [1977]
          Directed by Herbert Ross, starring Judd Hirsch, Anita
          Gillette, Ann Wedgeworth, and Cliff Gorman.  Includes
          an interview with Ellen Simon, the playwright’s
          daughter and a brief retrospective of Simon’s career,
          1961 – 1976.
          
          
          The Cheap Detective, 1975
     F14  The Cheap Detective, Original Screenplay by Neil Simon,
          1976, film script
          Typescript copy with red paper covers, dated “2nd
          DRAFT, DEC. 1976.”  Includes autograph notes
          (photocopied) in Simon’s (?) hand.  Rastar Productions,
          Burbank, California.
          
          
          Come Blow Your Horn, 1959
     F15  Come Blow Your Horn, a New Comedy by Neil Simon, New
          York: Anne Meyerson, n.d.
          Typescript copy bound in black wrappers.  William
          Hammerstein, Michael Ellis, New York City
          
     F16  Come Blow Your Horn, a Comedy by Neil Simon, New York:
          Studio Duplicating Service, 1959, playscript
          Typescript copy bound in black wrappers, dated “Revised
          January 1959.” Arthur Cantor, New York City.
          
          
     F17  Poster, lobby card, 1963
          Paramount Pictures, featuring Frank Sinatra
          
          Poster, 1963
          Paramount Pictures, featuring Frank Sinatra
          Both items Removed to Oversized
          
          
          The Curse of Kulyenchikov, 1980
     F18  The Curse of Kulyenchikov, a Farce, New York: Studio
          Duplicating Service, 1980
          Typescript copy bound in yellow wrappers, dated “THIRD
          DRAFT, July 1980.” Emanuel Azenberg, New York City
          
     F19  The Curse of Kulyenchikov, a Comic Fable by Neil Simon,
          New York: Studio Duplicating Service, 1980, playscript
          Typescript copy bound in blue wrappers, dated “Fourth
          Draft, Sept. 1980.” Emanuel Azenberg, New York City.
          
     F20  The Curse of Kulyenchikov, a Comic Fable by Neil Simon,
          1981, playscript
          Typescript copy, dated “Fifth Draft, Jan. 1981.” Cast
          member Dick Latessa’s copy with autograph notes and a
          letter granting Latessa a leave of absence from the
          performance of the play.
          
          
          Fools, 1981
     F21  Fools, a Comic Fable by Neil Simon, New York: Studio
          Duplicating Service, 1981, playscript
          Typescript copy bound in red wrappers, dated “3/31/81.”
          Cast member Dick Latessa’s copy with autograph notes.
          
          
          George Feiffer, Meet Annie Malone [Chapter Two], 1977
     F22  George Feiffer, Meet Annie Malone, a New Comedy by Neil
          Simon, 1977, playscript
          Typescript copy in beige paper covers, dated “FIRST
          DRAFT, February 1977.”  Earlier version of Simon’s
          Chapter Two (F10-F11) with textual differences.
          
          The Gingerbread Lady, [1970]
     F23  The Gingerbread Lady, New York: Studio Duplicating
          Service, n.d., playscript
          Typescript copy bound in red wrappers, revised second
          draft with annotations in an unknown hand.
          
     F24  Curtain Time, December 1971
          Promotional flyer

          I. Dramatic Works (cont’d)
          
          God’s Favorite, 1974 – 1975
2    F25  God’s Favorite, a New Comedy by Neil Simon, New
          York: Studio Duplicating Service, 1974, playscript
          Typescript copy bound in gray (?) wrappers, dated
          “Revision #3, Sept. ‘74.” Wolsk and Azenberg, New York
          City
          
     F26  God’s Favorite, a New Comedy by Neil Simon, New York:
          Studio Duplicating Service, 1974, playscript
          Typescript copy bound in blue wrappers, dated “Revision
          #5, February, 1975.” Wolsk and Azenberg, New York City
          
     F27  Poster, [1974]
          Eugene O’Neill Theatre, New York City, featuring
          Vincent Gardenia and Charles Nelson Reilly.  Removed to
          Oversized.
          
     F28  Souvenir program, New York: Gloria Enterprises, 1975.
          Starring Gardenia, Reilly, and Maria Karnilova.
          Includes “Excerpts from ‘Portrait of the Writer as a
          Schizophrenic’,” by Simon (1971 reprint).
          
          The Good Doctor, 1973
     F29  The Good Doctor, by Neil Simon, Adapted and Suggested
          from Stories by Anton Chekhov, New York: Studio
          Duplicating Service, 1973, playscript
          Typescript copy bound in orange wrappers, dated “First
          Draft, Spring, 1973.” Wolsk and Azenberg, New York City
          
     F30  The Good Doctor, by Neil Simon, Adapted and Suggested
          from Stories by Anton Chekhov, New York: Studio
          Duplicating Service, 1973, playscript
          Typescript copy bound in yellow wrappers, dated “FINAL
          DRAFT, November 27, 1973.” Wolsk and Azenberg, New York
          City
          
     F31  The Good Doctor, by Neil Simon, Adapted and Suggested
          from Stories by Anton Chekhov, New York: Studio
          Duplicating Service, n.d., script
          Typescript copy in red paper covers, for PBS televised
          version, WNET/13, New York City

         
          
          The Goodbye Girl, [1977]
     F32  Film script, typescript copy in blue paper covers,
          inscribed by Simon.  Includes film reel references,
          credits, and scene descriptions.
          
          
          The Heartbreak Kid, 1972
     F33  The Heartbreak Kid, Screenplay by Neil Simon, Based on
          a Short Story by Bruce Jay Friedman, New York: Studio
          Duplicating Service, 1972
          Typescript copy bound in gray wrappers.  Production
          manager Michael Hausman’s copy, includes an unsigned
          autograph note on the letterhead of Richard Stoddard,
          Performing Arts Books, which describes the variations
          between this draft and the final film.  Palomar
          Pictures International, New York City.
          
     F34  Promotional poster, 1973
          Twentieth Century Fox Films, featuring Cybil Shepherd
          and Charles Grodin
          Removed to Oversized mapcase.
          
          
          I Ought to be in Pictures, 1980 – 1982
     F35  I Ought to be in Pictures, New York: Samuel French,
          1981, playscript
          Typescript copy bound in blue Samuel French paper
          wrappers, dated “PUBLISHED VERSION, May 1980.” Emanuel
          Azenberg, New York
          
     F36  I Ought to be in Pictures, Screenplay by Neil Simon,
          1981
          Typescript copy in yellow paper covers, dated “FINAL,
          July 15, 1981.”
          
     F37  Poster, Twentieth Century Fox Films, 1982
          Removed to Oversized mapcase.
          
          Jake’s Women, 1988 – 1992
     F38  Jake’s Women, a New Play by Neil Simon, New York:
          International Creative Management, 1988
          Typescript copy bound in ICM paper cover, dated “6th
          Draft, May 1988.”
          
     F39  Jake’s Women, a New Play by Neil Simon, New York:
          Studio Duplicating Service, 1992, playscript
          Typescript copy bound in yellow wrappers, dated “4th
          Draft, 2nd Production, April 1992.”  Signed by cast
          members Alan Alda, Talia Balsam, Kate Burton, Brenda
          Vaccaro, Joyce Van Patten, and others.
          
          
          Last of the Red Hot Lovers, 1969 – 1971
     F40  Last of the Red Hot Lovers, a New Comedy by Neil
          Simon, New York: Studio Duplicating Service, 1969,
          playscript
          Typescript copy bound in yellow wrappers, dated
          “December 28, 1969.” Saint Subber, New York City
          
     F41  Last of the Red Hot Lovers, Screenplay by Neil Simon,
          1971
          Typescript copy in green Paramount Pictures paper
          cover, dated “Final Shooting Script, August 30, 1971.”
          Includes the autograph note “This script is property
          of: Patti Cort.”  A Howard W. Koch Production, Gene
          Saks, Director.
          
     F42  Souvenir program, New York: Faye Programs, [1971]
          Robert Moore, director; starring James Coco, Linda
          Lavin, Marcia Rodd, Dorris Roberts.
          
          
          Laughter on the 23rd Floor, 1994
     F43  Playbill, Richard Rodgers Theatre, New York, March 1994.
          Jerry Zaks, director; starring Nathan Lane.
          
          
          Little Me, 1971
     F44  The New Production of Little Me, Book by Neil Simon,
          Lyrics by Carolyn Leigh, Music by Cy Coleman, Based in
          the Novel by Patrick Dennis, 1971, playscript
          Typescript copy bound in blue wrappers, dated “August
          1971” (originally produced in 1966).  Arthur Whitelaw,
          New York City
          
          
          The Lonely Guy, 1983
     F45  The Lonely Guy, Adapted by Neil Simon, from the book by
          Bruce Jay Friedman, Screenplay by Ed. Weinberger & Stan
          Daniels
          Typescript copy, dated “SECOND DRAFT, March 21, 1983.”
          
     F46  The Lonely Guy, Third Draft Screenplay by Ed.
          Weinberger & Stan Daniels, Adapted by Neil Simon, from
          the book by Bruce Jay Friedman, Universal City:
          Universal City Studios, 1983.
          Typescript copy in orange Universal City Studios paper
          cover, dated “April 6, 1983.”
          
          Lost in Yonkers, 1991 – 1993
3         F47  Lost in Yonkers, a New Play by Neil Simon, New
          York: Studio Duplicating Service, 1990, playscript
          Typescript copy bound in maroon wrappers, dated “Third
          Draft, November 1990.”  Winner of the Pulitzer Prize,
          1991.  Emanuel Azenberg [producer], New York City
          
     F48  Lost in Yonkers, by Neil Simon, New York: Studio
          Duplicating Service, 1991, playscript
          Typescript copy bound in maroon wrappers, dated
          “Revised & Cut, September 2, 1991.”  Signed by the
          replacement cast, including Lucie Arnaz and Anne
          Jackson. Iron Mountain Productions, Emanuel Azenberg,
          New York City
          
     F49  Lost in Yonkers, by Neil Simon, 1991, playscript
          Typescript copy bound in purple wrappers, dated “March
          13, 1991.”  With ALS to set and costume designer Santo
          Loquasto dated March 15, 1991.  Iron Mountain
          Productions, Emanuel Azenberg, New York City

          I. Dramatic Works (cont’d)
          
     F50  Promotional portfolio, Columbia Pictures Industries,1993
          Press kit with thirteen 8x10 black and white
          photographs of Richard Dreyfuss, Mercedes Ruehl, Irene
          Worth, and others in the Columbia Pictures release.
          
          
          Max Dugan Returns, 1982
     F51  Max Dugan Returns, Screenplay by Neil Simon, 1982
          Typescript copy in Twentieth Century Fox paper cover,
          dated “REVISED FINAL, February 19, 1982.”  Interleaved
          with multi-colored revised pages.
          
          
          Mr. Bad News, n.d.
     F52  Mr. Bad News, Screenplay by Neil Simon, n.d.
          Typescript copy, first draft.
          
          
          The Odd Couple, 1965 – 1966
     F53  The Odd Couple, a New Comedy by Neil Simon, New York:
          Studio Duplicating Service, 1965, playscript
          Typescript copy bound in red wrappers, dated “March
          1965.” Saint-Subber, New York City
          
     F54  Playbill, The Plymouth Theatre, New York City, January 1966
          Mike Nichols, director; starring Eddie Bracken and Jack
          Klugman.
          
          Plaza Suite, 1968
          F55  Plaza Suite, a New Comedy by Neil Simon, New York:
          Studio Duplicating Service, 1968, playscript
          Typescript copy bound in red wrappers, dated “February
          14, 1968.” Saint-Subber, New York City
          
          
          The Prisoner of Second Avenue, 1971 – 1973
     F56  The Prisoner of Second Avenue, a New Comedy by Neil
          Simon, New York: Studio Duplicating Service, 1971,
          playscript
          Typescript copy bound in maroon wrappers, dated
          “November 11, 1971.” Includes annotations by a member
          of the company.
          
     F57  The Prisoner of Second Avenue, a New Comedy by Neil
          Simon, New York: Studio Duplicating Service, 1971,
          playscript
          Typescript copy bound in maroon wrappers, dated
          “November 11, 1971.”
          
     F58  The Prisoner of Second Avenue, Written by Neil Simon,
          film script, 1973
          Typescript copy in yellow paper cover, dated “FINAL
          DRAFT, August 30, 1973.”  Includes shooting schedule
          and crew list for the Warner Brothers film, with
          interleaved changes and revisions on multi-colored
          paper.
          
     F59  Souvenir program, New York: Faye Programs, [1972]
          Mike Nichols, director; starring Art Carney and Barbara
          Barrie.
          
          Audiobooks: Are You Listening? (free sampler).  Audio
          Publishers Association, 2001, compact disc audio
          recording
          Excerpt from the play read by Richard Dreyfuss, Marsha
          Mason, and others.
          
          
          Promises, Promises, [1968]
     F60  Promises, Promises, Book by Neil Simon, Music by Burt
          Bacharach, Lyrics by Hal David, New York: Studio
          Duplicating Service, n.d., playscript
          Typescript copy bound in red wrappers.  David Merrick,
          New York
          
     	  Souvenir program, New York: Artcraft Litho. & Ptg. Co.,Inc., [1968] (2 items)
          Original cast featuring Jerry Orbach; replacement cast
          with Anthony Roberts.

		Proposals, 1997
	F61	Neil Simon's Proposals.  Playbill, [New York]: Broadhurst Theatre,
		 Nov. 6, 1997.   Opening night.

		The Slugger’s Wife, 1983
     F62  The Slugger’s Wife, Screenplay by Neil Simon, 1983
          Typescript copy in white paper cover, dated “THIRD
          DRAFT, November 1, 1983.”  Ray Stark Productions,
          Burbank, California
          
          
          
          The Star Spangled Girl, 196
     F63  The Star Spangled Girl, a New Comedy by Neil
          Simon, New York: Studio Duplicating Service, 1966,
          playscript
          Typescript copy bound in red wrappers, dated “December
          21, 1966.” Saint-Subber, New York City
          
     F64  Poster, [1967]
          Plymouth Theatre, New York City, featuring Anthony
          Perkins and Connie Stevens, signed by Simon.
          
          
          The Sunshine Boys, 1975
     F65  The Sunshine Boys, Screenplay by Neil Simon, 1975
          Typescript copy in blue Metro-Goldwyn-Mayer paper
          cover, “February, 1975.” Earlier draft.
          
     F66  The Sunshine Boys, Screenplay by Neil Simon, 1975
          Typescript copy in Metro-Goldwyn-Mayer yellow paper
          cover, dated “February, 1975.” Later draft with
          multiple changes and revisions added in multi-colored
          pages.
          
     F67  Promotional film poster, 1975
          Metro-Goldwyn-Mayer films, with Al Hirschfeld artwork,
          featuring Walter Matthau and George Burns.  Removed to
          Oversized
          
     F68  Handbill, Lyceum Theatre, New York City, [1997]
          Production featuring Jack Klugman and Tony Randall.
          
          
          Sweet Charity, 1966
     F69  Sweet Charity, Book by Neil Simon, Music by Cy Colman,
          Lyrics by Dorothy Fields, Based on an original
          screenplay by Frerico Fellini, Tullio Pinelli, Ennio
          Plaiano, New York: Tams-Witmark Music Library, n.d.,
          playscript
          Typescript copy bound in red wrappers with Tams-Witmark
          Music Library sticker on front cover.  Staged and
          choreographed by Bob Fosse, based on Fellini’s Nights
          of Cambria.
          
     F70  Souvenir program, Universal City Studios, Inc., 1969
          Film cast featuring Shirley MacLaine and Sammy Davis,
          Jr.
          
          I. Dramatic Works (cont’d)
          
          They’re Playing Our Song, 1978 – 1980
3    F71  They’re Playing Our Song, Book by Neil Simon,
          Music by Marvin Hamlisch, Lyrics by Carole Bayer Sager,
          1978, playscript
          Typescript with corrections and autograph notes, dated
          “FOURTH DRAFT, October, 1978.”
          
     F72  They’re Playing Our Song, Book by Neil Simon, Music by
          Marvin Hamlisch, Lyrics by Carole Bayer Sager, New
          York: Studio Duplicating Service, 1980, playscript
          Typescript copy bound in red wrappers, dated “PLAYING
          VERSION, May, 1979, Rev. May, 1980.”
          
     F73  Souvenir Program, New York: Raydell Publishing &
          Distributing Corp., [1978]
          Stage production by Emanuel Azenberg; cast starring
          Tony Roberts and Anita Gillette.  Includes an
          interview, “Simon on Simon,” that the playwright
          conducts with himself.
          
          
          II. Ephemera
     F74
          Photographs
          8x10 black and white publicity photograph of Simon,
          autographed
          8x10 black and white photograph of Marsha Mason,
          inscribed to Richard [Hoffman].

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