Special Collections Department
Letters to David Wesley
Manuscript Collection Number: 304
Accessioned: Purchase, 1994.
Extent: .6 linear ft. (272 items)
Access: The collection is open for research.
Processed: September 1994 by Colette Walker.
Special Collections, University of Delaware Library
Newark, Delaware 19717-5267
Table of Contents
Kent was encouraged in his artistic pursuits from a young age, championed by his mother's sister, "Aunt Jo", herself an amateur painter and ceramics decorator. At her suggestion, he attended summer art courses in Shinnecock Hills, Long Island, given by William Merritt Chase of the New York School of Art. In 1901, Kent was offered a scholarship to the school, which he, due to parental pressure, reluctantly turned down in favor of the Columbia University architecture program. Three years later, however, he had transferred to the New York School of Art, where he studied under Chase, Robert Henri, and Kenneth Hayes Miller. George Bellows and Edward Hopper were among his fellow students.
Kent's artistic style, incorporating broadly massed forms and stark tonal contrast, was well-suited to portraying the open, often arctic landscapes he encountered during his extensive travels. His love of travel was first kindled in 1895, when the 13-year-old Kent accompanied his aunt on a tour of Europe. Through Robert Henri, Kent was then introduced in 1905 to the rugged headlands of Monhegan Island, off the coast of Maine, a locale which inspired a number of his paintings and to which he would return frequently throughout his life. He also took a number of extended trips to the Far North, especially during the years 1909 - 1930. His experiences in Newfoundland (1914), Greenland (1929, 1931, 1934), and Alaska (1918) inform a number of his works, and resulted in two books -- Wilderness: A Journal of Quiet Adventure in Alaska (1920) and Salamina (1935), the latter reprinted in expanded form as Greenland Journal in 1962.
Politically, Kent maintained a pro-Russian stance throughout his life, and actively sought to improve relations between his own country and the Soviet Union. His sympathies earned him a degree of notoriety in the U.S., especially during the 1950s, when he was required to appear twice before the House Committee on Unamerican Activities, and was for several months denied a passport. In the decades leading up to his death in 1971, Kent was repeatedly invited to visit the Soviet Union, where his work was greatly admired. He and his wife, Sally, visited five times between the years 1958 and 1967, and Kent eventually bestowed a sizeable collection of his work on the Russian people.
Source:West, Richard V., (ed.) An Enkindled Eye: The Painting of Rockwell Kent. Santa Barbara: Santa Barbara Museum of Art, 1985. pp. 9-11, 15-25.
Scope and Content Note
Kent's relationship with Wesley seems to have been grounded in their similar political beliefs, as current political events figure prominently in the letters. Kent writes of his frustration with Cold War America, discussing McCarthyism, relating his own run-ins with the House Committee on Unamerican Activities, and describing his well-publicized struggles to obtain a passport. Throughout the period, Kent remains a steadfast supporter of the Soviet "experiment," and actively advocates increased U.S./Soviet cooperation and friendship. In the letters, he describes the warm welcome he received on his several visits to the Soviet Union, where his work was greeted with great enthusiasm, and explains his bestowal on the Soviets of a large collection of his works in 1960 as a gesture of peace and friendship. Kent often calls on Wesley to address these and other topics of concern in the Gazette.
To a lesser degree, the letters also shed light on Kent's work as an artist, as well as his personal life. Kent occasionally mentions individual paintings, exhibitions and book illustration projects, and discusses the writing of his autobiography, It's Me O Lord (1955). Mention is also made of visits with friends and acquaintances and of Kent's occasional speaking engagements. The last two letters refer to the loss of "Asgaard," Kent's farm house near Au Sable, New York, to fire in 1969, an event described in more detail by Corliss Lamont in a news article typescript dated April 30, 1969, also included in the collection.
1 F1 1951 Jan 17 - Nov 23 (8 items) F2 1952 Jan 7 - Dec 23 (9 items) F3 1953 Jan 9 - Jul 29 (13 items) F4 1953 Aug 4 - Dec 15 (14 items) F5 1954 Jan 19 - Dec 9 (17 items) F6 1955 Jan 26 - Jul 28 (13 items) F7 1955 Aug 23 - Dec 30 (12 items) F8 1956 Jan 9 - Jun 18 (18 items) F9 1956 Jul 12 - Dec 28 (14 items) F10 1957 Jan 21 - Jul 27 (11 items) 2 F11 1957 Aug 3 - Dec 27 (17 items) F12 1958 Jan 5 - Jun 18 (14 items) F13 1958 Jul 4 - Dec 26 (11 items) F14 1959 Jan 7 - Dec 20 (17 items) F15 1960 Jan 18 - Dec 23 (19 items) F16 1961 Jan 14 - Jul 2 (12 items) F17 1961 Aug 23 - Dec 30 (10 items) F18 1962 Jan 19 - Dec 29 (14 items) F19 1963 Jan 1 - Nov 14 (15 items) F20 1964 Jan 2 - Nov 18 (4 items) F21 1965 Mar 18 - 1969 Jun 20 (10 items)
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