|
| |
Walt Whitman, 1819-1892.
Leaves of Grass. Brooklyn, N.Y., 1855.
This is a copy of the extremely rare first printing of the
first edition of Leaves of Grass. This slim volume,
containing twelve poems and a long prose preface, was continually
revised and enlarged by Whitman. The book went through eleven
successive editions until the time of Whitman's death in 1892,
by which time 283 poems had been added.
|
 |
Walt Whitman, 1819-1892.
Song of the Broad-axe; with illustrations cut on
wood by Wharton H. Esherick. Philadelphia: Centaur Press, 1924.
Wharton H. Esherick (1887-1970) of Paoli, Pennsylvania, was
a woodworker and wood engraver, best-known for his "free-form"
sculptural furniture. His illustrations for books and prints,
however, were done in a more traditional style.
|
 |
Walt Whitman, 1819-1892.
Salut au monde; linoleum cuts by Vojtech Preissig.
New York: Random, 1930.
Vojtech Preissig (1873-1944) was a Czech illustrator, typographer,
and printer. His early work was influenced by Alfonse Mucha,
but his work turned to bold modernist abstraction in the 1930's.
His type and book designs helped define the Czech graphic arts
identity of the early twentieth century. After working for many
years in the United States, he returned to Prague in the late
1930s. His activities with the Resistance against the Nazis
led to his death in the Dachau concentration camp.
|
 |
Walt Whitman, 1819-1892.
Leaves of Grass: comprising all the poems written by Walt
Whitman: following the arrangement of the edition of 1891-'2.
New York: Random House, Inc., 1930.
This limited edition of 400 copies, printed by Edwin and Robert
Grabhorn at the Grabhorn Press, is considered the Press's masterwork.
Illustrator Valenti Angelo was a largely self-taught artist
who collaborated with the Grabhorns over a six year period,
adding his woodcuts to some of their most acclaimed work. The
book was handset in the Newstyle type of Frederic Goudy, the
most important American type designer of his time.
|
 |
Walt Whitman, 1819-1892.
Complete Leaves of Grass, with prose essences and
annotations, by William L. Moore; calligraphy by Kazuko Okamoto.
Tokyo: Tiabundo, 1966.
This Japanese edition of Leaves of Grass pairs
the verses in English with calligraphic Japanese characters,
representing themes in Whitman's work.
|
 |
Walt Whitman, 1819-1892.
American Bard; being the preface to the first edition
of Leaves of Grass now restored to its native verse rhythms
and presented as a living poem. Santa Cruz, Calif.: Lime
Kiln Press, 1981.
William Everson (1912-1994) was a widely-admired poet, teacher,
and printer who established the Lime Kiln Press at the University
of California, Santa Cruz. American Bard, both
illustrated and printed by Everson was his last work with Lime
Kiln Press.
|
Walt Whitman, 1819-1892.
Wrenching Times: Poems from Drum-taps; selected by M.
Wynn Thomas; wood engravings by Gaylord Schanilec. Newtown, Powys,Wales:
Gwasg Gregynog, 1991.
The Gregynog Press was the brainchild of two sisters, Gwendoline
and Margaret Davies, who in 1922 established the press at their home,
Gregynog Hall, in rural Wales. Re-established in 1978 under its Welsh
title Gwasg Gregynog, the Press continues the tradition of fine press
printing emphasizing hand craftsmanship and collaboration with contemporary
artists. This work combines Whitman's powerful poems of the Civil
War with the pastoral landscapes of wood-engraver Gaylord Schanilec.
|